Search Results for: James Noone
A LETTER FROM THE ARTISTIC DIRECTOR
Throughout 2017, WTF continued its traditions of developing and producing artistically vibrant and culturally resonant plays and musicals, incubating the next generation of great theatre artists, and connecting broad and diverse audiences with its work. This past summer, over just 55 days at the Festival, we produced more than 170 performances of 35 shows, readings, and special events as well... Read MoreHonoring Trustee Gary Levine
Please join us as we celebrate Williamstown Theatre Festival and honor Trustee Gary Levine, President of Programming at Showtime and former Festival Managing Director, at the WTF Gala in New York City on Monday, February 5, 2018 at Tao Downtown. Festivities will include cocktails, dinner, and appearances or performances by Festival artists including Annaleigh Ashford, Kyle MacLachlan, James Naughton, Mandy Patinkin,... Read MoreGenerating groundbreaking new work for the Festival
As a generative, "soup-to-nuts" producing institution with offices in Williamstown and New York City, Williamstown Theatre Festival is engaged year-round in the development of groundbreaking new work, much of which is produced at the Festival or at other major theatres. WTF develops and incubates new work through the New Play and Musical Development Initiative's programs, which include: Artists-in-Residence Twelve... Read MoreAugust 3 - August 20 Main Stage
NEW MUSICAL Emmy Award winner and Tony Award nominee Lonny Price directs an intimate new musical by composer/lyricist Geoff Morrow and book writer Timothy Prager that delivers us to the intersection of loyalty, love, and ambition. Back in 1950, film producer Joseph Lindy (Jeff McCarthy) was on top of the world, making hit after hit with the love of his... Read MoreBuilding upon the Festival’s sixty-two-year history of creating excellent work, our 2016 season featured an exhilarating combination of artistic risk-taking and achievement. Marisa Tomei opened the season in a “buoyant, memorable, inventive, and striking” production (New York Times) of Tennessee Williams’ The Rose Tattoo, with a performance that Observer called “a one-woman fireworks display.” After critically acclaimed runs at WTF,... Read More
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