Camino Real
John Guare wrote in his iconic introduction to the 2008 New Directions publication of Camino Real that the play "has a very small bull's eye. It's difficult to hit, but when you do, when you do—the world's a brand new place." I agree. In Tennessee’s own words: “To me the appeal of this work is its unusual degree of freedom. When it began to get under way I felt a new sensation of release, as if I could "ride out" like a tenor sax taking breaks in a Dixieland combo or a piano in a bop session.